By Jim Butcher

Long in the past, Susan Rodriguez used to be Harry Dresden's lover-until she used to be attacked and left suffering from the bloodlust of the vampiric pink courtroom. Now, she wishes Harry's support. Harry's enemies have discovered the key she has hidden for thus lengthy, and he'll need to unharness the total fury of his untapped strength.

simply because this time, he's battling to save lots of his child.

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Additional resources for Changes (The Dresden Files, Book 12)

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Finally, a handkerchief, previously borrowed by the conjurer from a woman in the audience, would appear inside the last orange on the tree and be lifted up by two butterflies and flown across the air. The orange tree did not really grow in front of the audience, and neither did the automated pastry maker really make the pastry. These two automata, along with the many others that Robert-Houdin would create and use on the stage, were partly mechanical and partly trickery. 2 The orange tree. Source: La Vie d’un artiste du XIXe siècle siècle: Souvenirs personels du célèbre prestidigitateur Robert-Houdin (Grammont, Belgium: Œuvre St-Charles, 1900), 6.

Perhaps even more than his shows, his books continued to promote conjuring as a respectable form of middleclass entertainment performed by proper and ingenious professionals. 56 ANIMATED PROJECTIONS AND GRAND ILLUSIONS The Théâtre Robert-Houdin survived its founder’s departure. 57 There, Hamilton, now Robert-Houdin’s brother-in-law, continued to perform the Soirées fantastiques with frequent advice from his predecessor, successfully reproducing the acts that had first established the reputation of the theater.

Amateurs were encouraged to play, experiment, and develop an understanding of basic scientific principles in the comfort of their own homes. Initially addressed to middle-class adults, scientific amusement increasingly came to be directed toward children and their caregivers. By the end of the nineteenth century, more and more books of experiments and tricks and boxes of amusing physics were marketed to a young audience. At the same time, the association of magic tricks with scientific edification that had characterized the genre for close to a century began to weaken.

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